After the Hunt is the kind of movie that mistakes stillness for depth and silence for insight. It moves at a glacial pace, not because...

Springsteen: Deliver Me from Nowhere (2025) is contemplative, deep, dark meditation on loneliness and one man’s desperate search for redemption. Directed by Scott Cooper, the...

Seth Rogan is EVERYWHERE in 2025, including in Aziz Ansari’s Good Fortune, a film that harkens back to body swap classics like Scrooged and Trading...

Kathryn Bigelow’s A House of Dynamite is unnerving. This is Bigelow back in familiar territory, the cold machinery of power under unbearable pressure, and she...

The Woman in Cabin 10 arrives carrying a lot of preloaded baggage, mostly because Ruth Ware’s novel has been living rent free in thriller readers’...

The Smashing Machine (2025) is less a sports movie and more a bruised meditation on masculinity, addiction, and identity. Directed, written, edited, and produced by...

One Battle After Another is a full-contact experience. It’s raw, graphic, frequently funny in the bleakest possible way, and powered by performances that refuse to...

John Candy: I Like Me is lovely. It arrives like a warm handshake and leaves like a long hug you did not realize you needed....

Jay Roach’s The Roses arrives like a smile that slowly curdles, which, for a movie about marriage imploding under the weight of ego and ambition,...